Annie by Jay Maeder and Alan Kupperberg for May 12, 2020

  1. Matrim
    flashdrive1988  almost 5 years ago

    The wilderness version of Phantom of the Opera

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  2. H
    cherns Premium Member almost 5 years ago

    Looks like The Phantom’s lair, complete with throne and jawless skulls.

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  3. Rick
    davidf42  almost 5 years ago

    Morning, Anniephans!

    This guy is a nut. I can tell that right off. N – U – T Nut!

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  4. Rick
    davidf42  almost 5 years ago

    Leonard Starr’s Annie

    “May Flowers”

    August 27, 1980

    https://pbs.twimg.com/media/EXz1ZN4WoAART_N?format=jpg&name=large

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  5. Rick
    davidf42  almost 5 years ago

    Little Orphan Annie, week of November 10, 1968

    https://drive.google.com/open?id=1_tjH8BBhY4VAgeneXv5RPYWPdJT8xpJC

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  6. Major matt mason315
    Major Matt Mason Premium Member almost 5 years ago

    Needs a bit of a makeover. I’m just sayin’.

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  7. Millionchimps1
    tripwire45  almost 5 years ago

    Cheap knockoff of the actual Phantom?

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  8. Rankin badge   tartan 2
    jrankin1959  almost 5 years ago

    COSTUMED CRIMEFIGHTERS ACADEMY – Online (for the duration of the emergency) Review Lesson #3: Bases of Operations Yesterday, we said that we don’t know what resources our aspiring hero has. Today, we have an idea; obviously, not much, or he’d go with solar-powered lighting instead of old-school candles. Other than that, we have to ask
 seriously? This looks like a set from Phantom of the Opera, or something that lawyers for another Phantom might take an interest in. (Refer to C. Walker and Family, Class of ‘36, ongoing) Of course, those who hope to enter the profession have to start somewhere, but we hope his eyes can adapt to drastic changes in lighting
 especially while still wearing goggles and carrying an injured child in an area where the floor is littered with skulls. On a side note, what’s this “forbidden wrath” stuff? Usually such things are the forte of those applying to Sam’s School for Supervillains. When our case study tendered his application to the Academy, this is the sort of thing our committees tend to watch very closely. (Which we will deal with under Motivations in a later review.)

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