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Anat622's Profile

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Comics I Follow

The Argyle Sweater
By Scott Hilburn
Baldo
By Hector D. CantĂş and Carlos Castellanos
Bloom County
By Berkeley Breathed
Calvin and Hobbes
By Bill Watterson
Cathy Classics
By Cathy Guisewite
Cul de Sac
By Richard Thompson
The Dinette Set
By Julie Larson
Doonesbury
By Garry Trudeau
For Better or For Worse
By Lynn Johnston
FoxTrot
By Bill Amend
Loose Parts
By Dave Blazek
Maintaining
By Nate Creekmore
The Meaning of Lila
By John Forgetta and L.A. Rose
The Norm Classics
By Michael Jantze
On A Claire Day
By Carla Ventresca and Henry Beckett
Overboard
By Chip Dunham
Pibgorn
By Brooke McEldowney
Stone Soup
By Jan Eliot
Tank McNamara
By Bill Hinds
Tom the Dancing Bug
By Ruben Bolling
FoxTrot Classics
By Bill Amend
W.T. Duck
By Aaron Johnson
Watch Your Head
By Cory Thomas
Last Kiss
By John Lustig
Basic Instructions
By Scott Meyer
This is all completely untrue, and it really makes me see red because it reinforces some harmful stereotypes held by people who don’t know any better. Symphony (and opera) tickets come at a wide range of prices, depeneding on where you sit. In addition, there are often rush tickets available for students and sometimes others, or standing room tickets, that are very cheap. In almost all cases it is possible to hear a classical concert for a lot less money than a rock concert, never mind a broadway musical. Of course, it would’ve been possible for Claire to only find $88 tickets at the box office, if all the cheaper ones had been sold out. But that’s her own fault for waiting until the day of the concert to buy a ticket. As for people being “well dressed”? Yes, that’s how people choose to dress at a classical concert; it doesn’t mean they have more money.
Why does this make me so mad? Symphony orchestras can’t raise enough money from tickets sales to cover their expenses, there are orchestras that are closing down because of this, others live only by the kindness of wealthy donors. They keep ticket prices (or at least a high proportion of them) relatively LOW so as to enable almost ANYONE to attend. And yet there’s this really stupid stereotype in certain circles that classical music is just for rich people. Not for “us” but for “them”. why the authors should reinforce this is beyond me.