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Mathew Walls Premium

Comics I Follow

Wallace the Brave

Wallace the Brave

By Will Henry
Dark Side of the Horse

Dark Side of the Horse

By Samson
Alley Oop

Alley Oop

By Jonathan Lemon and Joey Alison Sayers
Adam@Home

Adam@Home

By Rob Harrell
Agnes

Agnes

By Tony Cochran
Andy Capp

Andy Capp

By Reg Smythe
Animal Crackers

Animal Crackers

By Mike Osbun
The Argyle Sweater

The Argyle Sweater

By Scott Hilburn
Arlo and Janis

Arlo and Janis

By Jimmy Johnson
B.C.

B.C.

By Mastroianni and Hart
Baldo

Baldo

By Hector D. Cantú and Carlos Castellanos
The Barn

The Barn

By Ralph Hagen
Ben

Ben

By Daniel Shelton
Betty

Betty

By Gary Delainey and Gerry Rasmussen
Big Nate

Big Nate

By Lincoln Peirce
Bo Nanas

Bo Nanas

By John Kovaleski
The Born Loser

The Born Loser

By Art and Chip Sansom
Brevity

Brevity

By Dan Thompson
The Buckets

The Buckets

By Greg Cravens
Chuckle Bros

Chuckle Bros

By Brian and Ron Boychuk
Close to Home

Close to Home

By John McPherson
Cornered

Cornered

By Mike Baldwin
Crumb

Crumb

By David Fletcher
Daddy's Home

Daddy's Home

By Tony Rubino and Gary Markstein
Diamond Lil

Diamond Lil

By Brett Koth
Dog Eat Doug

Dog Eat Doug

By Brian Anderson
Dogs of C-Kennel

Dogs of C-Kennel

By Mick & Mason Mastroianni
Drabble

Drabble

By Kevin Fagan
The Duplex

The Duplex

By Glenn McCoy
Edge City

Edge City

By Terry and Patty LaBan
F Minus

F Minus

By Tony Carrillo
Flo and Friends

Flo and Friends

By Jenny Campbell
The Flying McCoys

The Flying McCoys

By Glenn McCoy and Gary McCoy
For Heaven's Sake

For Heaven's Sake

By Mike Morgan
FoxTrot

FoxTrot

By Bill Amend
Frank and Ernest

Frank and Ernest

By Thaves
Frazz

Frazz

By Jef Mallett
Fred Basset

Fred Basset

By Alex Graham
Free Range

Free Range

By Bill Whitehead
Frog Applause

Frog Applause

By Teresa Burritt
The Fusco Brothers

The Fusco Brothers

By J.C. Duffy
Garfield

Garfield

By Jim Davis
Ginger Meggs

Ginger Meggs

By Jason Chatfield
Grand Avenue

Grand Avenue

By Mike Thompson
The Grizzwells

The Grizzwells

By Bill Schorr
Half Full

Half Full

By Maria Scrivan
Heart of the City

Heart of the City

By Steenz
Heathcliff

Heathcliff

By Peter Gallagher
Herb and Jamaal

Herb and Jamaal

By Stephen Bentley
In the Bleachers

In the Bleachers

By Ben Zaehringer
JumpStart

JumpStart

By Robb Armstrong
The Knight Life

The Knight Life

By Keith Knight
Lio

Lio

By Mark Tatulli
Lola

Lola

By Todd Clark
Loose Parts

Loose Parts

By Dave Blazek
Luann

Luann

By Greg Evans and Karen Evans
Marmaduke

Marmaduke

By Brad Anderson
The Middletons

The Middletons

By Dana Summers
Moderately Confused

Moderately Confused

By Jeff Stahler
Nancy

Nancy

By Olivia Jaimes
Nick and Zuzu

Nick and Zuzu

By Nick Galifianakis
Off the Mark

Off the Mark

By Mark Parisi
The Other Coast

The Other Coast

By Adrian Raeside
Overboard

Overboard

By Chip Dunham
Pearls Before Swine

Pearls Before Swine

By Stephan Pastis
Phoebe and Her Unicorn

Phoebe and Her Unicorn

By Dana Simpson
Pickles

Pickles

By Brian Crane
Pluggers

Pluggers

By Rick McKee
Pooch Cafe

Pooch Cafe

By Paul Gilligan
Prickly City

Prickly City

By Scott Stantis
Real Life Adventures

Real Life Adventures

By Gary Wise and Lance Aldrich
Reality Check

Reality Check

By Dave Whamond
Red and Rover

Red and Rover

By Brian Basset
Rubes

Rubes

By Leigh Rubin
Sarah's Scribbles

Sarah's Scribbles

By Sarah Andersen
Scary Gary

Scary Gary

By Mark Buford
Speed Bump

Speed Bump

By Dave Coverly
Stone Soup

Stone Soup

By Jan Eliot
Strange Brew

Strange Brew

By John Deering
Thatababy

Thatababy

By Paul Trap
Thin Lines

Thin Lines

By Randy Glasbergen
Wizard of Id

Wizard of Id

By Parker and Hart
Zack Hill

Zack Hill

By John Deering and John Newcombe
Ziggy

Ziggy

By Tom Wilson & Tom II

Recent Comments

  1. 2 months ago on Overboard

    “Argh” is how you write out the sound of a scream, and has been used in that way for hundreds of years. The thing pirates say is “arr”, in imitation of the West Country dialect of Robert Newton, who played Blackbeard the Pirate in the 1952 film of the same name.

  2. 3 months ago on Overboard

    Actually it’s “arr”, in imitation of the West Country dialect of Robert Newton, who played Blackbeard the Pirate in the 1952 film of the same name.

  3. 3 months ago on Overboard

    “Argh” is how you write out the sound of a scream, and has been used in that way for hundreds of years. The thing pirates say is “arr”, in imitation of the West Country dialect of Robert Newton, who played Blackbeard the Pirate in the 1952 film of the same name. When dogs want to be intimidating they growl.

  4. over 4 years ago on Heart of the City

    Yep, that would have been me.

  5. over 4 years ago on Heart of the City

    I have used the Phantom as my avatar on some sites so maybe I did here? Probably even? I don’t remember specifically though.

  6. over 4 years ago on Heart of the City

    It is literally impossible to tell these characters apart.

  7. almost 5 years ago on Ginger Meggs

    Exams? In primary school?

  8. over 5 years ago on Daddy's Home

    Ah yes, podcasts, that famously visual medium.

  9. over 5 years ago on Zack Hill

    Last you heard, pschearer? When and where was that? I’m really curious about where you get your information.

  10. over 5 years ago on Zack Hill

    Neither of these characters know what that means because John Deering and John Newcombe don’t know what it means. And it’s not even a difficult concept. “Micro” meaning small, “aggression” meaning a hostile act. The word is used to describe the many small acts that, each on their own, seem too insignificant to worry about or call out but which, added together, form a pattern that makes a person’s life measurably worse.

    For example, if one person calls you by the wrong name one time, you’d probably let that go. It’s a simple mistake that means nothing. If half the people you meet call you by the wrong name half the time then, to you, it is a recurring issue that will bother you more and more every time it happens. But to each of those people, each instance is still only one little mistake that you shouldn’t get worked up over. The difference between their perspective and yours makes any reaction on your part seem justified to you but wildly disproportionate to them. That’s what makes microaggressions so insidious.