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Comics I Follow

Adam@Home

Adam@Home

By Rob Harrell
Andertoons

Andertoons

By Mark Anderson
Animal Crackers

Animal Crackers

By Mike Osbun
Andy Capp

Andy Capp

By Reg Smythe
The Argyle Sweater

The Argyle Sweater

By Scott Hilburn
Baby Blues

Baby Blues

By Rick Kirkman and Jerry Scott
Baldo

Baldo

By Hector D. Cantú and Carlos Castellanos
B.C.

B.C.

By Mastroianni and Hart
Back to B.C.

Back to B.C.

By Johnny Hart
Berkeley Mews

Berkeley Mews

By Ben Zaehringer
Big Top

Big Top

By Rob Harrell
Bloom County

Bloom County

By Berkeley Breathed
Bloom County 2019

Bloom County 2019

By Berkeley Breathed
The Boondocks

The Boondocks

By Aaron McGruder
Bound and Gagged

Bound and Gagged

By Dana Summers
Bozo

Bozo

By Foxo Reardon
Breaking Cat News

Breaking Cat News

By Georgia Dunn
Brewster Rockit

Brewster Rockit

By Tim Rickard
Broom Hilda

Broom Hilda

By Russell Myers
Buni

Buni

By Ryan Pagelow
Calvin and Hobbes

Calvin and Hobbes

By Bill Watterson
Cathy Classics

Cathy Classics

By Cathy Guisewite
Cathy Commiserations

Cathy Commiserations

By Cathy Guisewite
Citizen Dog

Citizen Dog

By Mark O'Hare
Cleats

Cleats

By Bill Hinds
Close to Home

Close to Home

By John McPherson
Cornered

Cornered

By Mike Baldwin
Crabgrass

Crabgrass

By Tauhid Bondia
Crankshaft

Crankshaft

By Tom Batiuk and Dan Davis
Cul de Sac

Cul de Sac

By Richard Thompson
Richard's Poor Almanac

Richard's Poor Almanac

By Richard Thompson
Dark Side of the Horse

Dark Side of the Horse

By Samson
Day by Dave

Day by Dave

By Dave Whamond
Doodle Town

Doodle Town

By Melissa Lomax
Doonesbury

Doonesbury

By Garry Trudeau
The Duplex

The Duplex

By Glenn McCoy
Edge City

Edge City

By Terry and Patty LaBan
Farcus

Farcus

By David Waisglass and Gordon Coulthart
For Better or For Worse

For Better or For Worse

By Lynn Johnston
FoxTrot

FoxTrot

By Bill Amend
FoxTrot Classics

FoxTrot Classics

By Bill Amend
Frank and Ernest

Frank and Ernest

By Thaves
Fred Basset

Fred Basset

By Alex Graham
FurBabies

FurBabies

By Nancy Beiman
Garfield

Garfield

By Jim Davis
The Grizzwells

The Grizzwells

By Bill Schorr
Heathcliff

Heathcliff

By Peter Gallagher
In the Bleachers

In the Bleachers

By Ben Zaehringer
Invisible Bread

Invisible Bread

By Justin Boyd
Last Kiss

Last Kiss

By John Lustig
Liberty Meadows

Liberty Meadows

By Frank Cho
Lio

Lio

By Mark Tatulli
Little Dog Lost

Little Dog Lost

By Steve Boreman
The Lockhorns

The Lockhorns

By Bunny Hoest and John Reiner
Looks Good on Paper

Looks Good on Paper

By Dan Collins
Loose Parts

Loose Parts

By Dave Blazek
Maria's Day

Maria's Day

By John Zakour and Scott Roberts
The Meaning of Lila

The Meaning of Lila

By John Forgetta and L.A. Rose
The Middletons

The Middletons

By Dana Summers
Mother Goose and Grimm

Mother Goose and Grimm

By Mike Peters
NEUROTICA

NEUROTICA

By Allison Garwood
Non Sequitur

Non Sequitur

By Wiley Miller
The Norm Classics

The Norm Classics

By Michael Jantze
Studio Jantze

Studio Jantze

By Michael Jantze
One Big Happy

One Big Happy

By Rick Detorie
Ordinary Bill

Ordinary Bill

By William Wilson
Outland

Outland

By Berkeley Breathed
Overboard

Overboard

By Chip Dunham
Perry Bible Fellowship

Perry Bible Fellowship

By Nicholas Gurewitch
Phoebe and Her Unicorn

Phoebe and Her Unicorn

By Dana Simpson
Pickles

Pickles

By Brian Crane
Pooch Cafe

Pooch Cafe

By Paul Gilligan
Pluggers

Pluggers

By Rick McKee
Rabbits Against Magic

Rabbits Against Magic

By Jonathan Lemon
Real Life Adventures

Real Life Adventures

By Gary Wise and Lance Aldrich
Rubes

Rubes

By Leigh Rubin
Sarah's Scribbles

Sarah's Scribbles

By Sarah Andersen
Scary Gary

Scary Gary

By Mark Buford
Sherman's Lagoon

Sherman's Lagoon

By Jim Toomey
Shoe

Shoe

By Gary Brookins and Susie MacNelly
Speed Bump

Speed Bump

By Dave Coverly
Strange Brew

Strange Brew

By John Deering
Super-Fun-Pak Comix

Super-Fun-Pak Comix

By Ruben Bolling
Tank McNamara

Tank McNamara

By Bill Hinds
Texts From Mittens

Texts From Mittens

By Angie Bailey
That is Priceless

That is Priceless

By Steve Melcher
Thatababy

Thatababy

By Paul Trap
Tom the Dancing Bug

Tom the Dancing Bug

By Ruben Bolling
Wallace the Brave

Wallace the Brave

By Will Henry
Wawawiwa

Wawawiwa

By Andrés J. Colmenares
WaynoVision

WaynoVision

By Wayno
Wide Open

Wide Open

By Rich Powell
Wizard of Id

Wizard of Id

By Parker and Hart
Wizard of Id Classics

Wizard of Id Classics

By Parker and Hart
Wrong Hands

Wrong Hands

By John Atkinson
WuMo

WuMo

By Wulff & Morgenthaler
Ziggy

Ziggy

By Tom Wilson & Tom II
Arlo and Janis

Arlo and Janis

By Jimmy Johnson
Betty

Betty

By Gary Delainey and Gerry Rasmussen
Big Nate

Big Nate

By Lincoln Peirce
The Born Loser

The Born Loser

By Art and Chip Sansom
Brevity

Brevity

By Dan Thompson
The Buckets

The Buckets

By Greg Cravens
Cow and Boy Classics

Cow and Boy Classics

By Mark Leiknes
Dog Eat Doug

Dog Eat Doug

By Brian Anderson
Drabble

Drabble

By Kevin Fagan
F Minus

F Minus

By Tony Carrillo
Get Fuzzy

Get Fuzzy

By Darby Conley
Grand Avenue

Grand Avenue

By Mike Thompson
JumpStart

JumpStart

By Robb Armstrong
Lola

Lola

By Todd Clark
Luann

Luann

By Greg Evans and Karen Evans
Luann Againn

Luann Againn

By Greg Evans
Lucky Cow

Lucky Cow

By Mark Pett
Marmaduke

Marmaduke

By Brad Anderson
Monty

Monty

By Jim Meddick
Nancy

Nancy

By Olivia Jaimes
Nancy Classics

Nancy Classics

By Ernie Bushmiller
Off the Mark

Off the Mark

By Mark Parisi
Over the Hedge

Over the Hedge

By T Lewis and Michael Fry
Peanuts

Peanuts

By Charles Schulz
Peanuts Begins

Peanuts Begins

By Charles Schulz
Pearls Before Swine

Pearls Before Swine

By Stephan Pastis
Reality Check

Reality Check

By Dave Whamond
Red and Rover

Red and Rover

By Brian Basset
Ripley's Believe It or Not

Ripley's Believe It or Not

By Ripley’s Believe It or Not!
Rose is Rose

Rose is Rose

By Don Wimmer and Pat Brady
Stone Soup

Stone Soup

By Jan Eliot
Working Daze

Working Daze

By John Zakour and Scott Roberts
Bird and Moon

Bird and Moon

By Rosemary Mosco
Catana Comics

Catana Comics

By Catana Chetwynd
Liz Climo Cartoons

Liz Climo Cartoons

By Liz Climo
The Daily Drawing

The Daily Drawing

By Lorie Ransom
Messycow Comics

Messycow Comics

By Chen Weng
New Adventures of Queen Victoria

New Adventures of Queen Victoria

By Pab Sungenis
Worry Lines

Worry Lines

Recent Comments

  1. about 10 hours ago on Crankshaft

    Perhaps I misinterpreted the artwork in yesterday’s strip. I thought Ed was taking a copy of ‘Fahrenheit 451’ for himself. Another commenter pointed out that Ed was helping Lillian put all the students’ copies of the book on the shelf.

    This makes very little sense. Batyuk doesn’t know how in-store pickup orders work. Why take the books out of the boxes and arrange them on the store shelves? Why not just leave the books in the boxes near the cash register here the books can be quickly and discretely given to the students. During my college days, I worked a part-time job at an adult bookstore. A buyer would often make a special order for a magazine, book, video, or other merchandise. We didn’t tell that person we took their special order out of the box and placed it on the store shelves where anybody could see it. That buyer expected a certain level of discretion. They didn’t want any undue attention to their purchase.

    In a similar vein, wouldn’t it be better to leave the controversial books in the boxes and not draw any more attention to them? Seems like Lillian is daring the arsonist to do something. She may as well take out a full-page ad in the ‘Sentinel’.

    Lillian: (singsong) ♫ “Yoo-hoo! Arsonist. You failed again. Look at what we have here. Not a single damaged copy. ♫ Try again loser!” (blows raspberries)

    And another thing, suppose a customer, not a student, came into Lillian’s bookstore and saw ‘Fahrenheit 451’ on the shelf. Imagine the awkwardness if they took a copy of the book to the cash register and wanted to buy it.

    Lillian: “That book is not for sale. Those books are for the students in Les Moore’s class.”

    Customer: “This is a bookstore. The book was on the shelf. I’m buying it.”

    In closing, isn’t it possible the inconsiderate Les Moore might want to move the books again? It would be a shame to have to pack up all those books again.

    Les Moore: “I changed my mind. I want to move the books again. They’re not safe here.”

  2. 1 day ago on Crankshaft

    Ed Crankshaft’s reading habits have evolved from reading Beans End catalogs and doing the Jumble on the crapper to a lover of science fiction overnight. That’s new. Probably for this week only. We’ll never read about Ed’s love of science fiction again.

    Nobody tells Ed where he can or can’t read either.

    Ed: “I finished the Jumble while I was on the can. Who wants the paper?”

    Pm: “Umm, you keep it, dad. I’m good.”

  3. 3 days ago on Crankshaft

    This is just plain weird. Why is Ed doing this? Lillian has heard this sad tale of misfortune before. What does his former illiteracy have to do with “The Burnings.” It’s not a motive. We know he didn’t do it.

    Ed: “My life sucked before I learned how to read.”

    Thank you for sharing, Ed. /s

    Less Moore is the one who usually hijacks a story and makes it all about himself. First, we have to put up with Ed’s self-indulgent story and then Less will take over? Lillian, Batyuk’s latest hero of the month, is still waiting for her turn. Egads, are these characters forming a line on stairs outside the bookstore waiting to tell us reading books is great? Who’s turn is it after Less? The Dead Saint Lisa?

    The Dead Saint Lisa: “If the idiot who misfiled my medical file could read, I wouldn’t be dead.”

  4. 3 days ago on Crankshaft

    It’s in the Batcom.Inc disclosures. The cartoonist reserves the right to change established canon to fit the narrative of whatever story he’s telling at the current moment. It’s called “writing”.

    Nobody pays attention anyway, right? /s

    Batyuk: "What means “continuity”?"

  5. 5 days ago on Crankshaft

    I knew Ao Nrtzy. He had one heck of a curveball. Nice guy.

  6. 5 days ago on Crankshaft

    The artwork should improve this week. All Dan Davis has to do this week is copy and paste from the archives when Ed last told this story.

  7. 5 days ago on Crankshaft

    A flashback? I’ll take it. Anything to delay Batyuk’s hamfisted pontification via his author-avatar mouthpiece Lillian.

    Lillian will demonstrate her bravery and intelligence by stating the blatantly obvious. I guarantee it.

  8. 5 days ago on Crankshaft

    Hooray! It’s a flashback of a flashback week! No need to write new stories or draw new art!

    I can’t wait to see how Batyuk screws it up. Will he stray from the original tale and insert new stuff?

  9. 6 days ago on Crankshaft

    Four weeks later, those poor students are still waiting for their copies of the book. This story arc might not be over until well after Christmas.

    In the meantime, Ed Crankshaft has applied for a recurring role in any comic strip seeking an elderly, grumpy bus driver prone to using malapropisms.

  10. 6 days ago on Crankshaft

    Excellent point. Several readers have commented that “Lillian is so brave!”

    Don’t you have to be scared in order to be brave?

    What could Lillian possibly be afraid of? Her bookstore and home are obviously fireproof. The damage to the staircase is only cosmetic unless she flew up there on her broom. No bodily harm will come to her because she hasn’t even started lecturing everyone yet. She’s in no danger whatsoever.

    No danger = no risk = not brave