#30: 1987

This was the first Off the Mark cartoon ever published. It originally appeared in September 10, 1987. To this day, it remains one of my most popular. Maybe it will be on my gravestone. I was just starting out and included this cartoon in a batch I sent to Charles Schulz to see if he'd offer feedback. He did! He said my work was "uniquely original." Talk about a boost!

#29: 1988

You may have noticed I gravitated toward inanimate objects and slightly dark humor. At one point, I sent a batch of cartoons to Bill Watterson asking for feedback, and he responded. He said he thought my cartoons were a little violent for family newspapers! Unfortunately, I think I lost the letter, but I'll keep looking.

#28: 1989

I like cats and doing cat humor. This used to be the cartoon in which I included the most cats. That's no longer the case. Not even close.

#27: 1990

Back then, I somehow used a Xerox machine to get that effect. It was the stone age.

#26: 1991

Did I mention I like inanimate objects? And occasionally bad puns. 

#30: 1987

This was the first Off the Mark cartoon ever published. It originally appeared in September 10, 1987. To this day, it remains one of my most popular. Maybe it will be on my gravestone. I was just starting out and included this cartoon in a batch I sent to Charles Schulz to see if he'd offer feedback. He did! He said my work was "uniquely original." Talk about a boost!

#29: 1988

You may have noticed I gravitated toward inanimate objects and slightly dark humor. At one point, I sent a batch of cartoons to Bill Watterson asking for feedback, and he responded. He said he thought my cartoons were a little violent for family newspapers! Unfortunately, I think I lost the letter, but I'll keep looking.

#28: 1989

I like cats and doing cat humor. This used to be the cartoon in which I included the most cats. That's no longer the case. Not even close.

#27: 1990

Back then, I somehow used a Xerox machine to get that effect. It was the stone age.

#26: 1991

Did I mention I like inanimate objects? And occasionally bad puns. 

#25: 1992

Sometimes, I'm surprised by what cartoons hit. This cartoon got a good response and ended up on a best-selling birthday card. The inside read, "Happy birthday to someone who's fun to be around." Which is both an compliment and an insult when it accompanies that image. It was also a Valentines and Thanksgiving card.

#24: 1993

I used a lot of different zip-a-tone patterns on this cartoon. Those were pattern stickers that you peeled and applied directly to the art. You cut away the excess with an X-Acto knife. Like I said, it was the stone age.

#23: 1994

It's fun doing parodies, especially about characters the influenced me. Peanuts and Looney Tunes were very influential. This one took a long time to draw, but I really liked the idea so I committed. I even saved it for a Sunday cartoon so I could spread it out and include a lot of characters.

#22: 1995

It's always a challenge to take well-tread subject matter and try to do something different with it. I still get a kick out of seeing that full-grown fly sitting in that bowl.

#21: 1996

Before I did Off the Mark, I flirted with doing a cartoon about fish. The name of the main character and the strip was going to be, wait for it... Fish. The two characters featured here are from that world-class concept.

#20: 1997

This is how it always looks to me. I hated drawing the orchestra.

#19: 1998

I always liked the way the trilogy of the child/dog/cat worked here. The gag was originally just between the boy and the cat, but a cat drinking out of a toilet didn't resonate as well. I added a dog and it all fell into place.

#18: 1999

Inanimate objects remain a favorite subject. I probably don't draw enough ice cube humor.

#17: 2000

Back in 2000, both Windows and Books for Dummies were fresh, and this idea seemed like it was just begging to be drawn. It still works today, but I have so many cartoons that don't (I won't be posting those).

#16: 2001

Dog cartoons are really fun to draw. And, I think most cartoonists get off on being able to get across a gag with no caption or word balloons. I know I do. It's a major bonus if the cartoon comes close to crossing a line.

#15: 2002

Inanimate objects again?! I always feel lucky whenever I can find some strange correlation between people and non-people things. Especially things that aren't hard to draw.

#14: 2003

This was part of a submission that led to my first nomination for Newspaper Panel Cartoon of the Year from the National Cartoonists Society. I didn't win, but I was psyched.

#13: 2004

I always liked this cartoon because how dirty it is depends entirely on the reader. So, if it's dirty to you, you have a filthy mind.

#12: 2005

I remember having a lot of fun drawing this one. That's not always the case.

#11: 2006

As of this writing, I use the guy in the pool as my profile pic on most social media. It was a quick decision years ago and, for better or for worse, I stuck with it. It's even more dynamic in color. 

#10: 2007

As I mentioned, I always feel a sense of accomplishment when a cartoon is wordless (or maybe just has a word on a sign). Let the drawing do the work.

#9: 2008

I got to draw Batman in his underwear! This was part of a submission that won me Best Newspaper Panel from the National Cartoonists Society. Needless to say, I was psyched.

#8: 2009

Cats and monsters are favorite subjects, so I'm always tickled when I can combine them.

#7: 2010

Another parody. Absolutely everyone knows who the Cookie Monster is, so I don't have to explain that for this cartoon to work.

#6: 2011

I always feel like I'm getting away with something when I do a cartoon that's a little dirty. This was part of a submission that got me my second award for Best Newspaper Panel from the NCS. Needless to say, I was psyched.