Get Fuzzy by Darby Conley for June 22, 2011
Transcript:
Rob: Ahhh, yes, Satchel said you were putting together a "real house pets of the northeast" tv show. Bucky: I'm the star who will be spending silly money and looking cool, of course, I just have to find a supporting cast of needy freaks. Rob: You don't have any money. Bucky: Well, I just do it like on tv: I'll find some pathetic old loser to support my extravagant lifestyle. Bucky: Hey, on an unrelated note, what's your credit limit? Rob: Off limit.
phuhknees over 13 years ago
Keep an eye on your wallet, Rob; remember the charge for the ’coon suit?
Francine Long over 13 years ago
Isn’t it interesting the way Bucky has it all figured out? Now if he could, just once, get it all to come together the way he wants it to…..
ferreter over 13 years ago
Put your foot down, Rob. Good for you!
rshive over 13 years ago
Unlimited tuna and more. Not!
robzsilver over 13 years ago
There he goes trying to use Rob as his Sugar Daddy yet again…
Stephen Gilberg over 13 years ago
@TTM: Now I notice that from his angle, he can’t see Bucky at all. He’s looking at nothing in particular that we can tell. It’s a pretty common fault in cartoons, dating back at least to the ’60s Looney Tunes.
hossblacksilver over 13 years ago
Spending silly money? The Buckster’s getting into counterfeiting?
Arianne over 13 years ago
Bucky wants Rob to be his Tuna Daddy. ~ You can tune a fiddle, but you can’t play Rob like one.
mike_derosia over 13 years ago
I want to see some “Real Housepets of the Northeast” strips!
Lewisvz over 13 years ago
Very blue in this comic today.
Varnes over 13 years ago
TTM, it’s probably a cartooning standard, like how everybody in cartoons always bite the middle of a sandwich, (almost always at the bottom), when most people bite the corner, unless it’s cut in half, which usually doesn’t happen in cartoons…Nobody leaves apple cores like they do in cartoons, either.
Varnes over 13 years ago
BTW, I’d love to see inside Bucky’s mind in panel 4. At least I think I do….
SusanSunshine Premium Member over 13 years ago
Whoa I was just typing a comment and it disappeared. If it ends up that I posted the same thought twice I apologise, but it sure doesn’t seem to be here.
SusanSunshine Premium Member over 13 years ago
Anyway….. if you’re speaking with another actor in a play, you traditionally would both be directed to face outward towards the audience at about a 45% angle. That allows them to see expressions and emotions - and also watch the lips move, which aids comprehension.A cartoonist poses his “actors” in little vignettes in a frame, which is very theatrical, in a way.They’re probably set facing us most of the time for the same reasons stage directors use - except we usually can’t catch their lips moving. Of course, a cartoonist can also use the movie director’s option — the “camera” cutting from face to opposing face, but that takes more film, or a longer comic strip.
SusanSunshine Premium Member over 13 years ago
I hate the stupid -strikethrough feature