I’m not against startles and twists on principle, but if the value of a whole creative enterprise hinges on them that’s usually a bad sign. In other words, if all it takes is a spoiler or two to make something not worth seeing, I tend to believe it probably wasn’t that good anyway.
I’m not against startles and twists on principle, but if the value of a whole creative enterprise hinges on them that’s usually a bad sign. In other words, if all it takes is a spoiler or two to make something not worth seeing, I tend to believe it probably wasn’t that good anyway.