Over the Hedge by T Lewis and Michael Fry for June 06, 2024

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    Yakety Sax  23 days ago

    French fry jackpot!

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    Purple People Eater  23 days ago

    Was the volume set at 11?

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    juicebruce  23 days ago

    Turn it up …

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    Ellis97  23 days ago

    Must’ve set the amps at the highest level.

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    scote1379 Premium Member 23 days ago

    Jimi Hendrix school of Rock graduate ?

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    Gina Carson  23 days ago

    Does he use a Canine woofer?

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    James Deveney Premium Member 23 days ago

    I’ve seen my parents go on pass the house when I was practicing on the guitar while the windows were open.

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    bdpoltergeist Premium Member 23 days ago

    reminds me of the opening scene of Back to the Future

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    bobbyferrel  23 days ago

    There are a lot of people who think you can convert bad “music” to good music just by playing it louder.

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    David_J Premium Member 23 days ago

    The Fender Stratocaster. The most iconic shape in the world.

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    Jayalexander  23 days ago

    Rock and Roll Professor.

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    SrTechWriter  23 days ago

    A couple of other details worth noting:

    Notice Hammy’s left foot. Also note the the Stratocaster neck. This pair of little details is called a ‘frame bridge’.

    In the late 1940s, ‘Father’ Walt Kelly of POGO fame became annoyed with said publishers and editors. They wanted freedom to break cartoon strips into 2 or more lines so they could cram more ads onto the page. They still do. Walt protested vehemently.

    His strips relied on a linear layout for the visual punch. The Human eye easily scans vertically, not so much horizontally. That curious bit of physiologic trivia was important to Walt. He did NOT want the reader’s eyes to see the last panel before reading what led to it, and spoiling the ‘punch’.

    The publishers and editors told him to “Get bent!” Walt began intentionally drawing his cartoons to make it very difficult for them to split the strip. He went from the standard 4 panels to 3 … or just one … but still used the entire space normally allotted for a 4-panel strip. For strips where the plot required 4 panels, he took to having characters or the backgrounds ‘bridge’ across that editorially sacrosanct white space between panels. He also put his signature between panels.

    He had Albert scratch a match on the outside of the succeeding frame, of Churchy hold up his reading glasses and squint to see if they needed cleaning – with the bow(s) intruding across the white space and into the next frame. Pogo would throw up his hands about some nonsense perpetrated by one or several other characters, with one across the white space.

    The editors and publishers fired back, saying they would refuse to print any strip that did this. Walt said “Go ahead, and see what your readers think.” Since his strips were immensely popular, the editors and publishers folded. And other cartoonists began to use the same technique to guard their strips.

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    C wolfe  23 days ago

    Hammy must be a the lead guitarist for the rock group Disaster Area.

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    Stephen Gilberg  23 days ago

    That was a risky move, given how humans usually deal with pesky animals.

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    leemorse9777  23 days ago

    Ok, I’m old, but if take out would bribe the guys with bass amps in their cars, I would gladly contribute.

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    Aladar30 Premium Member 23 days ago

    Woo- Hoo! indeed.

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    Boise Ed Premium Member 22 days ago

    I guess I’m too old to get it here.

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