It’s the geometries of Bushiller’s drawing hands that have kept me a student Bushiller of the work for a very long time.
For those with interests in the relations of geometry to language, panel #3 of today’s strip is a brilliant display of seven stars, seven floating lines, all with Bushillers geometric dynamic linking all of the four frames in sequence, a forward and a back, a pattern of back and a forward pattern. That pattern is not euclidean geometry, but close enough to become transparent to the figure/ground setups.
Up and out from some of the resonated patterns are key patterns used in Euclidean geometry.
I frequently applaud Bushiller’s use of geometries, both whole and broken versions.
The geometries used in all four panels have a dynamic thrust-to-the-right shape, a thrust that can go either way, backward to the left, dynamically, and then forward to the right, or whatever possible range of exchange held positions can exist can become estimate, where permutations can become calculated.
The panel shows a strip where the extremities of fiction reside with an intense emphasis on contrasting geometric patterns, such as an alternating pattern of small and large in scale areas.
The strip is a semiotic masterpiece, in my humble opinion.
Gent over 2 years ago
Sluggo is hit!
angelolady Premium Member over 2 years ago
Clever.
Susan00100 over 2 years ago
You forgot the lit fuse, Sluggo.
Sharkybill over 2 years ago
Dat’s as real as it gets!
WLG12037 over 2 years ago
Dat hoit!
Sir Marcie over 2 years ago
Bushmiller was, literally and figuratively, hitting it out of the park in these 1949 comics. So many of them are little moments of comics perfection.
Zebrastripes over 2 years ago
What chances??? Dat poor Sluggo always gets it…
billyk75 over 2 years ago
Dat real enough?
Dr. Quatermass over 2 years ago
Sluggo finally sees the Pleiades! (As an astronomy geek, I couldn’t resist such an esoteric joke. Sorry, most of you probably have to look it up.)
countoftowergrove over 2 years ago
Painting theme two days running!
brklnbern over 2 years ago
Never happen in real life.
tims145 over 2 years ago
Sluggo ne rit (pas)!
Kip Williams over 2 years ago
Sluggo’s hoist on his own petard. He can’t believe it’s happening, because from where he’s standing, the ball’s just coming out at a weird angle.
Auntie Clockwise over 2 years ago
It’s the geometries of Bushiller’s drawing hands that have kept me a student Bushiller of the work for a very long time.
For those with interests in the relations of geometry to language, panel #3 of today’s strip is a brilliant display of seven stars, seven floating lines, all with Bushillers geometric dynamic linking all of the four frames in sequence, a forward and a back, a pattern of back and a forward pattern. That pattern is not euclidean geometry, but close enough to become transparent to the figure/ground setups.
Up and out from some of the resonated patterns are key patterns used in Euclidean geometry.
I frequently applaud Bushiller’s use of geometries, both whole and broken versions.
The geometries used in all four panels have a dynamic thrust-to-the-right shape, a thrust that can go either way, backward to the left, dynamically, and then forward to the right, or whatever possible range of exchange held positions can exist can become estimate, where permutations can become calculated.
The panel shows a strip where the extremities of fiction reside with an intense emphasis on contrasting geometric patterns, such as an alternating pattern of small and large in scale areas.
The strip is a semiotic masterpiece, in my humble opinion.
rgcviper over 2 years ago
(Panel 4): How ’bout now?
Lucy Rocks about 2 years ago
Now it’s cooler. A “3-D” painting!